*Gatorboard with large swaths of velcro on the back, to stick it to wall. (Talked to Paul Berger about this, who mentioned a ceramic artist who used velcro to successfully hold up a considerable amount of weight)
*3M sticky iron on (or push on) stuff to adhere the individual papers to the gatorboard.
*possibly spray adhesive would work for this job too (but not as well, and probably not as archival)
*Look into the specs of the ink I used- is it archival?
*re print on RAG paper, NOT the crappy stuff from staples I used (haha)
Other things Paul brought up, which are of interest:
*adding depth across the matrix to imply the time/repetition of the process (under more copied columns, have a tiny stack of paper)
*recompositing (digitally) parts of more copied sections into earlier stages, then copying those (and vice versa) to get a weird integrated effect/ give it some kind of punctuation.
(I did not get to any museums last week, but I plan on the Henry and the James Harris on tuesday afternoon.)
